It’s that time again: new iPhones! By which we mean, of course, new Apple Cameras That Also Do Other Stuff. Kirk and Jeff are both upgrading their phones this year, largely due to the new Camera Control button but also the 48 MP (megapixel) ultra-wide camera and the new 48 MP Fusion camera that reads data fast enough to remove the shutter lag when shooting raw images. There’s a lot to discuss in this bonus-length episode!

Is your photo library spread out among different drives and apps? We’re not talking about maybe having a couple of Lightroom Classic catalogs—it’s not uncommon now for a photographer to have Lightroom libraries, Capture One libraries, Apple Photos libraries, even old iPhoto and Aperture libraries collected over the years. In this episode we welcome back Matthieu Kopp of CYME to talk about version 2.0 of the utility Peakto, which can bring sense to all of that accumulated chaos. As a bonus, Matthieu also shared a discount code for PhotoActive listeners to get 15% off any CYME app: PHOTOACTIVE15.

Many cameras now feature IBIS: in-body image stabilization. But do you really need a stabilized body? Can you use just a stabilized lens? And for that matter, is image stabilization just a crutch for lazy photographers? Also in this episode, we ponder perfect photo destinations.

Touting Panasonic’s new LUMIX S9 camera, a representative was quoted saying that Micro Four Thirds sensors are more difficult to understand than full-frame sensors, especially for people with “low camera literacy.” That piqued our interest, because many photographers assume that a full-frame sensor is just inherently better. But is that true? And is it really that confusing? We also touch on LUTs, which Panasonic is pushing on the S9 by dedicating a button to choosing different look-up tables for creative color rendering in camera.

If you're wondering whether film photography is really experiencing a resurgence in popularity, the announcement of the Pentax 17 is your answer. It's a brand-new film-only camera with some interesting design choices. Also in this episode, we talk about social media alternatives to Instagram for photographers.

Apple’s Worldwide Developer Conference (WWDC) is where we learn about what’s coming in the company’s many operating systems, and this year was focused on machine learning features and AI - Apple Intelligence. That turns out to have a lot of significance on photography, such as in searching your photo library and making edits in the Photos app. We look at what was announced and how it will affect the way we work with photos in the fall.

Apple has released the new M4-powered iPad Pro, and Kirk bought one straightaway. Is it worth buying for photographers?

Part of enjoying photography is understanding photography. What makes a “good” photo? How much of that is based on the circumstances around its creation? In this episode, we talk about looking at photography with a critical eye.

Gear Acquisition Syndrome (GAS) is a running joke among photographers (and musicians), but it's also a real thing that can spin us up with the desire to buy some new camera or lens. We look at what drives this compulsion, and try to be honest about whether it affects us as photographers.

Gentleman Coder Nik Bhatt returns to talk about Nitro, his all-new photo editor for macOS (and soon, iOS and iPadOS). As the successor to RAW Power, Nitro has a lot to live up to. Nik talks about what prompted him to build a new app from the ground up, adding new features like masking, supporting cameras that Apple ignores, and more.

We were recently asked about where we find inspiration while making photos, which led Kirk and Jeff to muse on the idea of being primed to find photo subjects. It’s not enough to arrive at a destination with a blank slate—you’ll create better photos and enjoy the experience more if you prime yourself to see what’s in front of you. That can come from photo books, online photos of the same area, and more.

The entire Internet - yes, the whole thing, trust us - is going crazy for the new Fujifilm X100VI compact fixed-lens camera. What’s the appeal of this not-inexpensive camera? Its predecessor was in such demand that Fujifilm just stopped manufacturing it because it couldn’t keep up...for more than a year. And now the X100VI is backordered until summer. Is it all just influencer hype?

In five years, will our cameras look anything like today’s cameras? We’ve seen staggering advancements in AI technologies in photography, so in this episode we stretch our imaginations to think about where things are headed.

What would you do with 100 megapixels? Jeff recently had the opportunity to shoot with the new Hasselblad 907x/CFV 100C, a medium format camera in the form factor of Hasselblad’s classic film bodies. This $8,200 (body only, of course) system made him rethink the photographic muscle memory he’s developed over the years, as well as the mental-muscle-memory of how to approach making photos.

It’s easy to fall into the trap of thinking the photos on your old hard drives are perfectly safe. But are they really? Our guest Derrick Story needed to extract 200,000 images saved in Apple’s discontinued Aperture software on an old Drobo storage array. Using a combination of an old MacBook that could run Aperture and modern software like Peakto for organizing the extracted images, he was able to restore them all.

To wrap up the year, we thought we’d turn our attention to selections from The Photo Book, a massive, rich collection of photography from some of the best photographers throughout the history of the art form. Out of hundreds of images, we each picked five photos and explain what about them caught our eyes.

It’s time to talk about the B-word again! Jeff couldn’t trick Kirk into saying “bokeh,” but this week we’re looking at a few ways to get background blur using Portrait mode in the iPhone and editing in Lightroom. Technology has improved quite a lot in the last couple of years, to the point where simulated bokeh can sometimes pass off as natural lens blur.

The photographer’s dilemma rears again. Not only are we sometimes struck by gear acquisition syndrome when new cameras are announced, we run into it when new computers that can process our images come to market. In this case, it’s the new M3 MacBook Pro and M3 iMac models from Apple. Will the M3 processor make a difference when working with photos? If you bought an M1 iMac when it came out, is it time to upgrade? Kirk and Jeff hash it out.

Google’s Pixel phones are held up as the Android smartphones to follow, and their cameras are often pitted against the iPhone as examples of the state of the art. However, as Kirk discovered when he bought a Pixel 8, the details matter... such as the Pixel 8 not being able to use the full resolution of its main camera. Also in this episode, we check in with some new developments in the generative photography world with Adobe’s release of Firefly 2 and GenAI integration in Photoshop.

On the surface, making photos with the iPhone 15 and iPhone 15 Pro is relatively simple: pick a zoom level, pick a format (raw or not), and go. But as soon as you get just below the surface, you’re faced with a surprising amount of complexity. In this episode, we wade into all the megapixels (including from the iPhone 14 Pro) to try to make sense of it all.